The work of the Peruvian artist Gihan Tubbeh, has the effectiveness of music, because without needing to conceptualize it beforehand, it transcends the viewer, and pierces across from the guts. The sense of transcendence is immediate, but stealthy; and the identification with pain, vertigo, and sensuality, is inescapable. There is something broken and expectant in her images, where the abstract is found but also the expressionist, with anger, serenity and resignation. Enclosing the colors does not help much, because sometimes they end up slipping through the grooves, and impose themselves, along with the nature that challenges us and asks: Who are you? How to define what is real life ?  VERBOS DE PIEDRA is titled the new solo exhibition of the Peruvian artist Gihan Tubbeh (1984). And it not only serves to respond to her own concerns and conjure the demons of the internationally recognized photographer, but also for the people who inhabit this society. 

Each picture is a song. Because with music everything sounds better, because music allows us to enter the deepest of our sensibility and our way of being.

 Gabriel Gar