• Aileen Gavonel, Bebe Dinosaurios, 2023
    Aileen Gavonel
    Bebe Dinosaurios, 2023
    High temperature ceramic
    Series: Espejismoss
  • Aileen Gavonel, Inducción, 2023
    Aileen Gavonel
    Inducción, 2023
    Dyes, sand, frost and shells on canvas
    118 x 98 cm
    Series: Espejismoss
  • Aileen Gavonel, Los Misterios, 2023
    Aileen Gavonel
    Los Misterios, 2023
    Dyes, sand and frost on canvas
    79 x 97 cm
    Series: Espejismoss
  • Aileen Gavonel, Nadie Corre en el Desierto, 2023
    Aileen Gavonel
    Nadie Corre en el Desierto, 2023
    Sand, copper, fabric
    50 x 40 cm
    Series: Espejismoss
  • Aileen Gavonel, Naves, 2023
    Aileen Gavonel
    Naves, 2023
    Ceramics and high temperature oxides
    43 x 25 cm
    Series: Espejismoss
  • Aileen Gavonel, Planetario, 2023
    Aileen Gavonel
    Planetario, 2023
    High temperature ceramic
    Series: Espejismoss
  • Aileen Gavonel, Preludio, 2023
    Aileen Gavonel
    Preludio, 2023
    Dyes, sand, frost and shells on canvas
    163.5 x 99.5 cm
    Series: Espejismoss
  • Aileen Gavonel, Tierra Perdida, 2023
    Aileen Gavonel
    Tierra Perdida, 2023
    Sand, copper, fabric
    40 x 38 cm
    Series: Espejismoss
  • Aileen Gavonel, Armas Densas, 2022
    Aileen Gavonel
    Armas Densas, 2022
    High-temperature ceramic installation on ash
    Series: Fuente Perversa (Perverse Source)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics, glazes and engobes
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics, glazes and engobes
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics and glaze
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics, glazes and engobes
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics, glazes and engobes
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics and glaze
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics and glaze
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Armas Suaves (Soft Weapons), 2022
    Aileen Gavonel
    Armas Suaves (Soft Weapons), 2022
    Low-temperature ceramics and glaze
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Durante el Periodo de Completa Oscuridad, 2022
    Aileen Gavonel
    Durante el Periodo de Completa Oscuridad, 2022
    Sound installation, Twelve whistling vessels arranged in a circle, like a sundial.
    Series: Durante el Periodo de Completa Oscuridad (During the Period of Complete Darkness)
  • Aileen Gavonel, El Ataque de la Chica Cocodrilo (The Crocodile Girl Attack), 2022
    Aileen Gavonel
    El Ataque de la Chica Cocodrilo (The Crocodile Girl Attack), 2022
    High-temperature ceramic installation
    Series: Fuente Perversa (Perverse Source)
  • Aileen Gavonel, No Hay Bien Que Por Mal No Venga, 2022
    Aileen Gavonel
    No Hay Bien Que Por Mal No Venga, 2022
    Installation of ceramic weapons and clay mural
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, No Hay Bien Que Por Mal No Venga, 2022
    Aileen Gavonel
    No Hay Bien Que Por Mal No Venga, 2022
    Clay mural and ceramic candlesticks
    Series: No Hay Bien Que Por Mal No Venga (There Is No Good That Doesn't Come From Bad)
  • Aileen Gavonel, Órganos, 2022
    Aileen Gavonel
    Órganos, 2022
    High-temperature ceramic installation on ash
    Series: Fuente Perversa (Perverse Source)
  • Aileen Gavonel, Crónicas en Tragadero Grande 1, 2020
    Aileen Gavonel
    Crónicas en Tragadero Grande 1, 2020
    Open-burnt clay beads, fired on canvas dyed with pigments and minerals
    Series: Alhajas Máxima (Máxima Jewellery)
  • Aileen Gavonel, Crónicas en Tragadero Grande 2, 2020
    Aileen Gavonel
    Crónicas en Tragadero Grande 2, 2020
    Braided Ichu, ceramic plate
    Series: Alhajas Máxima (Máxima Jewellery)
  • Aileen Gavonel, Alhajas Máximas, 2019
    Aileen Gavonel
    Alhajas Máximas, 2019
    Necklaces made of a series of Hawapi ceramic beads
    Series: Alhajas Máximas
  • Aileen Gavonel, Alhajas Máximas, 2019
    Aileen Gavonel
    Alhajas Máximas, 2019
    Necklaces made of a series of Hawapi ceramic beads
    Series: Alhajas Máximas
  • Aileen Gavonel, Elementos Extraños, 2019
    Aileen Gavonel
    Elementos Extraños, 2019
    Table of ceramic bottles and tools with minerals from the Museum collection
    Series: Elementos Extraños (Strange Elements)
  • Aileen Gavonel, Brujas, 2018
    Aileen Gavonel
    Brujas, 2018
    Ceramic tile installation on adobe
    Series: Brujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)
  • Aileen Gavonel, Brujas, 2018
    Aileen Gavonel
    Brujas, 2018
    Sand mural, performative act in the form of an incantation
    Series: Brujas, No Hay Primera Sin Segunda (Witches, There Is No First Without Second)